“He Looks like He’s Stepped out of a Painting:” The Idealization and Appropriation of Italian Timelessness through the Experience of Romantic Love

This paper investigates two popular historical novels, Marina Fiorato’s The Glassblower of Murano (2008) and Anne Fortier’s Juliet (2010), in order to shed light on a discourse of pure origins and unbroken continuity that concerns ‘Italy’ as a cultural construct. Within both narratives, ‘falling...

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Detaylı Bibliyografya

Yazar:	Pierini, Francesca
Materyal Türü:	Tez
Dil:	İngilizce
Baskı/Yayın Bilgisi:	AUW 2025
Konular:	'Italy' as cultural construct, Anne Fortier, Marina Fiorato, popular historical fiction, romantic love
Online Erişim:	https://repository.auw.edu.bd/handle/123456789/586