How to be both.

"SHORT-LISTED FOR THE MAN BOOKER PRIZE Passionate, compassionate, vitally inventive and scrupulously playful, Ali Smith's novels are like nothing else. How to be both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary...

Ամբողջական նկարագրություն

Մատենագիտական մանրամասներ
Հիմնական հեղինակ: Smith, Ali, 1962-
Ձևաչափ: Գիրք
Լեզու:անգլերեն
Հրապարակվել է: London, England : Hamish Hamilton, 2014.
Խորագրեր:
Classic Catalogue: View this record in Classic Catalogue

MARC

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100 1 |a Smith, Ali,  |d 1962-  |9 73556 
245 0 |a How to be both. 
264 1 |a London, England :  |b Hamish Hamilton,  |c 2014. 
300 |a 371 pages ;  |c 22 cm. 
336 |a text  |2 rdacontent 
337 |a unmediated  |2 rdamedia 
338 |a volume  |2 rdacarrier 
520 |a "SHORT-LISTED FOR THE MAN BOOKER PRIZE Passionate, compassionate, vitally inventive and scrupulously playful, Ali Smith's novels are like nothing else. How to be both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real--and all life's givens get given a second chance"--  |c Provided by publisher. 
520 |a "The brilliant Booker-nominated novel from one of our finest authors: How to Be Both is a daring, inventive tale that intertwines the stories of a defiant Renaissance painter and a modern teenage girl. How can one be both--near and far, past and present, male and female? In Ali Smith's new novel, two extraordinary characters inhabit the spaces between categories. In one half of the book, we follow the story of Francescho del Cossa, a Renaissance painter in fifteenth-century Italy who assumes a duel identity, living as both a man and a woman. In the novel's other half, George, a contemporary English teenage girl, is in mourning after the death of her brilliant, rebellious mother. As she struggles to fill the void in her life, George finds her thoughts circling again and again around a whimsical trip she and her mother once made to Italy, to see a certain Renaissance fresco. These two stories call out to each other in surprising and deeply resonant ways to form a veritable literary double-take, bending the conventions of genre, storytelling, and our own preconceptions"--  |c Provided by publisher. 
650 0 |a Art, Italian  |y 15th century  |v Fiction.  |9 73558 
650 0 |a Artists  |z Italy  |x History  |y 15th century  |v Fiction.  |9 73557 
650 0 |a Gender identity  |v Fiction.  |9 73559 
650 0 |a Teenage girls  |v Fiction.  |9 73560 
887 |a  BRAC 
888 |2 2982 
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952 |0 0  |1 0  |2 lcc  |4 0  |6 PR6069 M4213 H69  |7 0  |8 FIC  |9 28197  |a AUWL  |b AUWL  |c LLS  |d 2024-01-09  |e Dr. David Taylor  |l 2  |o PR6069.M4213 H69  |p 030276  |r 2024-05-13 00:00:00  |s 2024-04-28  |t 01  |v 8.99  |w 2024-01-18  |x Donated, Pound  |y BK 
999 |c 12957  |d 12957